Martijn Comes - Interrogation Of The Crystalline Sublime
- Singer: Martijn Comes
- Album's title: Interrogation Of The Crystalline Sublime
- Genre: Electronic
- Label:
Moving Furniture Records – MFR038
Type: 2 x CD, Album, Limited Edition
Country: Netherlands
Date of released: 21 Mar 2017
Category: Electronic
Style: Drone, Experimental, Minimal, Ambient - Format: FLAC MP3 DMF DXD MP2 AIFF MIDI MMF MOD
- Size MP3 ZIP: 1421 mb
- Size FLAC ZIP: 1768 mb
- Rating: 4.3/5
- Votes: 504

Links
- 1421 downloads at 19 mb/s
MP3 version
- 1768 downloads at 22 mb/s
FLAC version
Tracklist Hide Credits
| 1-1 | Interrogation Of The Crystalline Sublime | 60:00 |
| 2-1 | Remain Silent (Version)Remix – Scant Intone |
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| 2-2 | Interrogation RemixRemix – Mitchell Akiyama |
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| 2-3 | Material InterrogationRemix – Zeno van den Broek |
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| 2-4 | Light, Yes We Have So Much LightRemix – Alberto Boccardi |
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| 2-5 | Grrito Na Noite (j.l) Remix – Haarvöl |
|
| 2-6 | Under The StormRemix – Juan Antonio Nieto |
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| 2-7 | Interrogation Of The Crystalline Sublime RemixRemix – Giulio Aldinucci |
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| 2-8 | Interrogation Of The Crystalline Sublime Remix Remix – Orphax |
Credits
- Artwork By – Paco Rossique
- Liner Notes – Kim Cascone
- Mastered By – Jos Smolders (tracks: 1-1), Martijn Comes (tracks: 2-1,2-2,2-3,2-4,2-5,2-6,2-7,2-8)
- Music By – Martijn Comes
Notes
Edition of 200.CD2 contains remixes of the piece on CD1.
Track 2-5 wrong on sleeve as Haarvöl Ggritto - Na Noite (j.l)
Martijn Comes - Interrogation Of The Crystalline Sublime
"The human being knows himself only insofar as he knows the world; he perceives the
world only in himself, and himself only in the world. Every new object, clearly seen,
opens up a new organ of perception in us."
— Johann Wolfgang von Goethe
I hear atmospheres, sound shapes, gestural narratives, spectral trajectories, stochastic rhythms and phasic space when I encounter an environment rich in sonic phenomena.
But in order to be open to this meta-sensory information, I must first get my ears out of the way. I don't listen with my ears but with an inner sensory apparatus, what Goethe called "organs of perception," that I have developed over the years.
Once opened to this world sound becomes something very different—it's as if one could previously only see in black and white and suddenly were able to see in color. One becomes a witness to a full range of qualities and events that were previously inaccessible.
The drone is not a steady-state sound but a constellation of sound objects that lie hidden beneath a simple surface. The listener can penetrate this surface when they allow time to exist in a space where the past and future collapse into an infinitesimal, yet infinite, moment.
Once inside this space the drone serves as a conduit to other planes of existence and explains why spiritualized cultures around the world have used the drone in their worship for millennia.
The drone integrates us with the supernal, a synesthesia takes place, all of our senses become a singular super-sense: there is no longer a distinction between sound and sight, or taste and touch.
When we experience the world in this way we see the vast web of interconnections and how we deprive ourselves when we divide the world into the narrow-band regions of our senses. It is by transcending these boundaries that we become more fully human and open to the richness the world has to offer us.
Kim Cascone - San Francisco, Nov 20 2015
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